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Description
ABOUT THIS SHOT: Same as shot #3, the gas pipes feeding into the firebox, just later in the evening and at a different angle. Was screwing around with the flash so I got this great red glow.

This is a series of informal shots that I took at a work group for a salt firing where I've been taking pottery lessons.

This kiln is dry laid brick, brought up to about 2,800 degrees (if memory serves, I might be off by a couple hundred.) When I arrived in the evening it had been heating up since two evenings before and was ready to be salted. Basically, you pour in the salt and the intense heat vaporizes it and breaks it down into sodium and chloride, which, in layman's terms, glazes the pots. It's not nearly so simple and our teacher explained it more thoroughly, but I could never repeat it with any accuracy so I won't.

The quality of all these shots isn't too great since I don't have much control over my digital camera and the lighting was odd.

Description
ABOUT THIS SHOT: Same as shot #3, the gas pipes feeding into the firebox, just later in the evening and at a different angle. Was screwing around with the flash so I got this great red glow.

This is a series of informal shots that I took at a work group for a salt firing where I've been taking pottery lessons.

This kiln is dry laid brick, brought up to about 2,800 degrees (if memory serves, I might be off by a couple hundred.) When I arrived in the evening it had been heating up since two evenings before and was ready to be salted. Basically, you pour in the salt and the intense heat vaporizes it and breaks it down into sodium and chloride, which, in layman's terms, glazes the pots. It's not nearly so simple and our teacher explained it more thoroughly, but I could never repeat it with any accuracy so I won't.

The quality of all these shots isn't too great since I don't have much control over my digital camera and the lighting was odd.