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jflaxman — The Endless Quest

#allegorical #allegory #box #cartoon #character #circular #creature #death #desert #dream #endless #eternal #eternity #everlasting #evil
Published: 2017-10-06 09:10:09 +0000 UTC; Views: 7881; Favourites: 161; Downloads: 60
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Description

    Most of us naively assume that we will find true love some day, but in spite of their participants’ claims, a great many relationships are built on mere convenience – if not mutual desperation. True love is an incomparable blessing that few of us witness and fewer still know. For those who have never experienced it, no description will suffice, but those who have require none.

    Marley and Nate knew such love, but with this blessing came the curse of fearing it would die with them. The strength of their feelings could not transcend the frailty of their mortal forms, and they found no solace in religion, knowing time outlasts all gods. Yet they clung to a deeper, more personal faith that their love could last forever, and together they would make it so.

    This heady brew of hope and fear led them to seek out Ordias, the wisest man in Moht Bahru. He lived in a large round hut whose roof was a maze of petrified roots and whose walls were a mosaic of bones. Ordias owed his knowledge to three skulls which retained the power of speech and had given him valuable insights into the future, present and past. His home was lit by scores of candles ensconced in less remarkable skulls, though the constant play of light and shadow gave them a haunting semblance of life.

    Nate and Marley were more concerned with the prospect of undying love and asked Ordias if it were possible. Ordias looked at each in turn and was silent for a while; then he sadly shook his head. “I wish there was a way,” he said, “but nothing truly lasts forever. The best advice I can give you is to relish your love while you can; it might seem like the most fleeting thing, but that just makes it more valuable.”

    Marley and Nate were upset but Ordias would say no more. The lovers left him in his hut and walked to the edge of the town in silence. Here they encountered Vibion, who was sitting on a boundary stone, pounding a hide-covered drum. Insects buzzed and crawled around him, forming patterns in time with the rhythms he played and displaying an awareness that should not have been possible. The lovers watched him for a while; then Vibion stopped and the insects dispersed.

    “I know what you want,” he said, “for my insects tell me everything. Ordias can’t change a thing, and for that matter, nor can I – but I know of one who can. Would you dare to cross the Poisoned Sands and call on the power of Gingsley Greel?” Vibion smiled as he spoke, and the stones around him seemed to sigh, though this might just have been the wind.

    Nate stepped forward. “I sure would – if it meant our love would last forever.”

    Vibion turned to Marley. “And what about you?”

    Marley took her partner’s hand. “I would do the same,” she said.

    “Let time judge that,” said Vibion. He shook his drum and two masks fell out. “Your journey will be long and hard – but these Kaithian Faces will help. They will reveal the Path of Habbanth; this leads to the Jadderbox, which will show you the way to Gingsley Greel. They will also keep the sun from your skin, the dust from your eyes, and the blight from your lungs. They will even bring you sustenance, for the Poisoned Sands are not so lifeless as human traditions would have you believe.”

    “I guess we can give it a go,” said Nate. “What do you want in return?”

    “Don’t hurt any insects,” said Vibion. “The masks will stop working the moment you do. This shouldn’t be too difficult once you reach the Poisoned Sands, for you’ll find no insects there apart from my Lunar Moths; but the longer you delay your departure, the greater the chance you will fail in your quest, if only through some oversight.”

    Marley nodded. “We’ll leave as soon as we can.” She picked up the masks and gave one to Nate. They walked home very carefully, ever mindful of the insects they had previously ignored. They managed not to harm any, and showed the same caution as they put on sturdy travelling clothes, filled two backpacks with provisions, and armed themselves with hunting spears. It was still early afternoon when they left their hometown and they reached the Poisoned Sands by dusk. To their immeasurable relief they hurt no insects on the way. They put on the Kaithian Faces and a shimmering path appeared in the sand. Instead of stopping to make camp they pressed on immediately; being seasoned desert travellers, they knew they could cover more distance at night and save their strength in doing so. The next few hours were uneventful. They caught glimpses of strange beasts and heard stranger sounds across the dunes, but nothing interfered with their progress. The Kaithian Faces worked as promised; besides giving them protection, they revealed the presence of milkworms that lay just beneath the sands. These creatures were easily speared and drained of the life-giving fluid that gave them their name.

    The lovers followed the path for months, walking by night and resting by day. Some couples might have fallen out but the bond between them grew. They viewed their journey as a test, and being deprived of their usual comforts only reinforced their love. At last they reached the Jadderbox, which stood atop a mighty dune. It was made from weathered metal plates and the sands around it were strewn with debris. The Path of Habbanth went no further, and the Jadderbox had no signs or markings that showed them where to go from there. Nate wondered if they had been tricked. He struck the box with the haft of his spear. The sand beneath him seemed to shake and he heard a sound like distant thunder. Then a flash of white light blinded him; he fell to the ground and remembered no more.

    Nate woke to find dawn had arrived, though the sky was grey and the air remained cold. He looked for Marley, but she was gone; he called her name, but no-one answered. Then he turned back to the Jadderbox. Its top had swung open while he was unconscious and a gigantic effigy swayed drunkenly above the dunes. It had a cartoonish face, but its tattered garments, missing eye, and skeletal metal limbs gave it an aura of decay. Yet Nate felt a surge of hope. One of its long rusting fingers pointed to a mountain range that rose beyond the Poisoned Sands. If Vibion had told the truth, this would be the way to Gingsley Greel – and the promise of eternal love.

    Nate walked all day and reached the mountains as the sky was darkening. He saw a faint glow in the cliffs above and followed it to the mouth of a cave. He entered to find it was empty except for a small campfire. Then he heard a sound behind him. He turned to see Gingsley Greel had arrived. Her hair was bound with ribbons and she wore a schoolgirl’s uniform, but her eyes were pools of entropy and her body seethed with parasites.

    “Welcome to my home,” she said. “Don’t be afraid; you won’t have to stay long. Nor will you have to explain why you’re here, for the Lunar Moths have already told me. You’ve done very well so far, but you must pass one final test. When you touched the Jadderbox it revealed my location, but such knowledge always comes at a price. Your partner is trapped in another dimension – and only you can set her free.”

    Nate’s heart lurched. “What should I do?”

    “It’s simple,” Gingsley Greel replied. “Go back to the Jadderbox and strike it with your spear again.”

    “Is that all?” asked Nate.

    “That is all,” said Gingsley Greel. “Only love can set her free, and now that I have met you in person, I know your love is strong enough. Such love deserves to last forever – and you have my word it will.”

    Nate nodded. “I can’t thank you enough.” He left the cave, and although he was tired, he retraced his steps across the sand. He reached the Jadderbox at dawn and struck it with his spear again. There was another blinding flash – and he remembered nothing more.

    Marley woke to find dawn had arrived, though the sky was grey and the air remained cold. She looked for Nate, but he was gone; she called his name, but no-one answered. Then she turned back to the Jadderbox. Its top had swung open while she was unconscious and a gigantic effigy swayed drunkenly above the dunes. It had a cartoonish face, but its tattered garments, missing eye, and skeletal metal limbs gave it an aura of decay. Yet Marley felt a surge of hope. One of its long rusting fingers pointed to a mountain range that rose beyond the Poisoned Sands. If Vibion had told the truth, this would be the way to Gingsley Greel – and the promise of eternal love.

    Marley set out for the mountains and reached them as night approached. She saw a light and found a cave. Here Gingsley Greel told her to go back to the Jadderbox and strike it to set Nate free; and when she did so the next day, Nate woke on the sands alone with no memory of his recent deeds. Centuries have passed since then, but Nate and Marley still take turns to seek a reunion forever denied; and though their love may never die, is theirs an eternity that any of us would choose for ourselves?

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Comments: 32

PG1224 [2019-03-06 19:56:29 +0000 UTC]

Something tells me you have a lot of darkness in you

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holyyeezuz05 [2018-09-05 05:33:58 +0000 UTC]

wow

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AlbionRaven [2018-08-08 21:06:50 +0000 UTC]

"True love is an incomparable blessing that few of us witness and fewer still know" And then religion was created

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jflaxman In reply to AlbionRaven [2019-06-25 05:33:47 +0000 UTC]

They can't have us loving each other, can they?

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AlbionRaven In reply to jflaxman [2019-06-28 07:20:44 +0000 UTC]

Au contraire. Genuine love between each other is fine and dandy but a luxury for most of humanity. Thus they need some placebo to replace it.

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AngrySableye [2018-07-19 00:48:17 +0000 UTC]

This looks like a cooler version of the art for the Yu-Gi-Oh card Bickuribox

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chris-the-sword [2018-06-02 02:46:41 +0000 UTC]

what a GREAT story! and what a great drawing as well...

but the story... its heart-breaking and amazing.
it captivates the reader and it doesnt let him go until the very end.

this story is the kind where a person needs to be very careful for what they are wishing for, and i will just leave it at that.

another great detail, is that this story happens within the great+scary lands of moht bajru, one of my favorite realms of yours... (for the great stories+drawings that come from it..)
also, i loved how you described ''true love'' in the first paragraph. the part about true love, and ''For those who have never experienced it, no description will suffice, but those who have require none.'', is a very accurate and true description of this so fleeting, yet unique feeling: of the true and unrequited love.

i havent received this great feeling yet, but i've been blessed to see it on some of my close family members, and its an amazing, glorious feeling. im always in awe when i witness it, and i wish to find it myself one day.

back to your story: the character of Ordias, the ''wise man of moht bahru'' reminds me of the wizard Wenzel, from your other epic story+drawing, ''the wormbusters''.
also the moment where the couple enters Ordias's house and you describe his house as a: ''a large round hut whose roof was a maze of petrified roots and whose walls were a mosaic of bones'', which is yet another great description of the wise man's home, as he owed his knowledge to the art of bone-magic, among other things.

another interesting detail is, that Ordias has 3 magical skulls which help him see into the past, present and future of the world around him.
it reminds me of the 3 fates in the greek mythology, which consisted by 3 old women, who shared one eye: the eye of knowledge.

apart from that, i liked that you've added an other cool detail from your universe, the use of the masks known as ''the kaithian faces'', which was shown in an other drawing of yours that happened in moht mahru, but i forget the pic's title.

another haunting description is the part where you write: ''Vibion smiled as he spoke, and the stones around him seemed to sigh, though this might just have been the wind.''
what a great part of the underlying horrors in Vibion's words! what an incredible scene to visualise into one's imagination!
truly incredible.

also, i liked how you described gingsley greel, and i shall say no more.

and then, the story moved on to a more and more exciting path, until it reached its conclusion.
the ending was superb.
it was truly great, and very memorable.

so, the story was amazing, as all of your stories.
as for the drawing itself, it was equally great, with a nicely drawn monster-in-a-box, which contained elements of both animal+machine, which is a great detail of your creepy characters.

the creature's angry face expression, which was mostly visible through its eye(s), the way its clothes were tattered and torn beneath its ''waist'', and the way the iron+rubber was visible underneath, along with the creature's creepy hand-gesture, formed a very powerful image, and it created a very memorable monster to behold.
also, the details on the creature's rusty, damaged box, and on the traveller with the kaithian mask (i assume its nate), all of those details are very realistic, with good linework, and amazing as well.

with the fear of sounding repetitive, i love both your written stories and your cool drawings, and i consider them both great works of art, created by a most gifted artist.
i admire you and im always happy to see new drawings+stories by you.

keep up the good work, you are great!

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Plancklength [2017-10-14 08:18:04 +0000 UTC]

Haunting and yet immeasurably beautiful. Seeing one of your pieces or art with a story attached is like something of a present to me. Sometimes i wished that your 'desert art' was turned into a series but perhaps that would be anathema to the creativity of these pieces if they had to follow a plot.

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jflaxman In reply to Plancklength [2017-10-27 02:16:37 +0000 UTC]

Thank you very much! There's room in this series for longer stories, I've just got to find the time for them!

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mhm98 [2017-10-11 20:38:32 +0000 UTC]

You bring those poor folks STRAIGHT back together, i tell you!!

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jflaxman In reply to mhm98 [2017-10-27 02:11:11 +0000 UTC]

If u go 2 teh jaderbox u can taek there plais.

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mhm98 In reply to jflaxman [2017-11-11 16:03:34 +0000 UTC]

Excuse me, i'll be on my way to SAVE LOVE

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chris-the-sword [2017-10-08 01:57:35 +0000 UTC]

oh my! this is an amazing pic, once again, acompanied by a(n also) great story!

excellent details on the ferret-bot in-the-box, and on the travelling nomad with the robotic mask/face.

amazing linework, and great details on the characters decaying flesh/clothes.

i shall review this on full detail later on; for the time being, i will just say this again: you are a great artist, keep it up!

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jflaxman In reply to chris-the-sword [2017-10-09 09:53:43 +0000 UTC]

Welcome back to Moht Bahru! I know you like the setting and thought you'd enjoy this piece. I haven't been very productive this year (apart from offline projects) but feel this is a return to form. I look forward to your review!

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merkmuds [2017-10-07 14:03:47 +0000 UTC]

Amazing artwork AND description. Brilliant work!

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jflaxman In reply to merkmuds [2017-10-09 09:53:50 +0000 UTC]

Thank you very much!

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Raptore1917 [2017-10-07 13:57:52 +0000 UTC]

I really am starting to question your sanity.

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jflaxman In reply to Raptore1917 [2017-10-09 09:54:32 +0000 UTC]

I've often questioned it as well!

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chris-the-sword In reply to Raptore1917 [2017-10-08 02:00:26 +0000 UTC]

dont be fooled by his creepy artwork, my friend!

jflaxman is perfectly sane. and a master of (creepy) narrative.
his drawings are superb too.

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warhammer2546 [2017-10-07 02:54:58 +0000 UTC]

Dang cat-in-a-box.

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jflaxman In reply to warhammer2546 [2017-10-09 09:55:07 +0000 UTC]

Whack a mole!

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jasongreen [2017-10-06 21:36:57 +0000 UTC]

All abored the NOPE train

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jflaxman In reply to jasongreen [2017-10-09 09:54:57 +0000 UTC]

Best place to be right now!

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jasongreen In reply to jflaxman [2017-10-09 23:21:05 +0000 UTC]

yup I went on it has soon has I saw your creepy drawing

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Lunarmoon21 [2017-10-06 21:07:59 +0000 UTC]

Love your distopic art bro!

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jflaxman In reply to Lunarmoon21 [2017-10-09 09:55:15 +0000 UTC]

Cheers!

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jflaxman In reply to Lunarmoon21 [2017-10-09 09:39:46 +0000 UTC]

Thanks!

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lhumungus [2017-10-06 18:29:15 +0000 UTC]

You should self-publish an illustrated book of tales.  Though the world is in dire need of good art and good stories, giving them away for free on deviant art is, I believe, selling your works short.  I think a big bound book of dark 'fairy tales' would be a more appropriate format.  Pixels, databases and 'content' are ephemera.

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Miss-Gato [2017-10-06 18:14:32 +0000 UTC]

I love this...Thank you for sharing...cosmic horror

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jflaxman In reply to Miss-Gato [2017-10-09 09:40:02 +0000 UTC]

I'm glad it hit the mark!

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ElSqiubbonator [2017-10-06 14:53:28 +0000 UTC]

Damn. You are a FINE writer. Have you ever considered getting your stories published?

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chris-the-sword In reply to ElSqiubbonator [2017-10-08 01:58:53 +0000 UTC]

me and verghaht have been suggesting this to him for a while now.

in my opinion, jflaxman should write a book (or more). it would be the material of epic horror, and a best-seller, for its great narrative and for its amazing suspense.

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