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Description
645 – 635 BC

In ancient Assyria, lion-hunting was considered the sport of kings, symbolic of the ruling monarch’s duty to protect and fight for his people. The sculpted reliefs in Room 10a illustrate the sporting exploits of the last great Assyrian king, Ashurbanipal (668-631 BC) and were created for his palace at Nineveh (in modern-day northern Iraq).

The hunt scenes, full of tension and realism, rank among the finest achievements of Assyrian Art. They depict the release of the lions, the ensuing chase and subsequent killing.

[link]

Description
645 – 635 BC

In ancient Assyria, lion-hunting was considered the sport of kings, symbolic of the ruling monarch’s duty to protect and fight for his people. The sculpted reliefs in Room 10a illustrate the sporting exploits of the last great Assyrian king, Ashurbanipal (668-631 BC) and were created for his palace at Nineveh (in modern-day northern Iraq).

The hunt scenes, full of tension and realism, rank among the finest achievements of Assyrian Art. They depict the release of the lions, the ensuing chase and subsequent killing.

[link]