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LazyLinePainterJohn — The universal egg
Published: 2007-01-06 18:55:34 +0000 UTC; Views: 1864; Favourites: 19; Downloads: 22
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Description Once, before the world was formed,
Or Athens raised, or togas worn,
Before the planetary bodies
Told the fates of Spartan squaddies,
Before the Gordian knot was twisted,
Before such things as knots existed,
Or notions such as ‘time’ advanced,
Eurynome, the goddess, danced.
She’d risen out of Chaos, naked
(This would start a fashion), waited
For instruction, signal, sign.
Receiving none, she said, “Well, fine.
I’ll dance. I should’ve started sooner,”
Began a tango para una.
(Eurynome, as I have said,
Was naked. If this story’s read
By children, for their education,
Kids: use your imagination.)


Dancing, though, was complicated
With no dancefloor yet created.
Even goddesses can’t tango
In the Void, still less fandango.
So, Eurynome decided,
Sea and sky must be divided.
“Sea goes up and sky goes down.
No, wait, the other way around,”
She spoke, the universe obeyed,
The goddess sashayed on the waves.


I say the goddess. As the only
Deity, she soon grew lonely.
Though there was one consolation:
Being queen of all creation.
This, though, wasn’t worth a lot.
Without a sun, it wasn’t hot,
No land, no animals, no trees,
Meant few leisure activities.
Life, frankly put, was rubbish. Think:
The world was like a massive sink
With no plughole or rim. Or tap.
(Quite simple, this primeval map.)
And being Goddess of All Things
Was pointless without underlings
To smite or crush or boss about.
How strange – a goddess with no clout.


Eurynome danced southwards, just
Because she could. She wasn’t fussed
About her destination, since
There wasn’t one; indeed, by dint
Of how she’d made it, all was lake,
And so she danced, for dancing’s sake.
(And also to keep warm, it’s true.
If you remember, she was nude.)
She danced, and as she danced, the air
That she displaced (by dancing there)
Took on existence independent,
Now down-swirling, now ascendant,
Dancing, as if to impress her;
She beheld a newborn zephyr,
The north wind (in another era,
It would batter South Utsire).


“Did I do that? Gosh, well I never!
I must be divinely clever,”
Said the goddess, quite elated.
(It was not premeditated
But this detail didn’t stop her.)
As the north wind paused atop her,
Suddenly she seized it, held it
(Goddesses can do this), smelled it,
Shook it, rubbed it with her thumbs,
And murmured supernatural sums.
From this peculiar performance
There emerged a quite enormous
Serpent – Ophion by name.
(At least, that’s what my sources claim.)


Ophion was a massive beast,
Nineteen times normal size at least.
Each scale was bigger than your fist,
Each tooth was thicker than your wrist,
Each eye was seven times as great
As Epicurus’ largest plate.
But no vast attribute impressed
Ophion’s maker, the goddess.
Eurynome observed the snake
With discontent; she’d hoped to make
Something a little more complex,
That wasn’t basically just neck.
Sulkily, she faced her scion:
“You won’t protest, I hope, Ophion,
Or think that I lack courtesy
If I don’t stay for pleasantries.
You see, I’d planned to dance this evening.”
“I wouldn’t dream of intervening,”
Said the coiled serpent, straightening,
“If you don’t mind me spectating.”
“Why not?” the goddess said, “It’s true,
“There’s bugger else for you to do.”


Eurynome began to jive,
Which makes for splendid exercise.
It aids one’s self-esteem, I’m told,
And helps to warm you when you’re cold,
And since her body was still bare
(Ophion was not unaware
Of this), it seemed her choice was fitting.
Whirling where the snake was sitting,
She began with mild burlesque,
High-kicked expertly, soon progressed
To riverdance with fewer flaws
Than Flatley does; the snake’s applause
Was genuine and thunderous
(Though what is truly wondrous
Is that the snake managed to clap
Despite his natural handicap).
Ophion’s adulation moved her,
So she danced what most behooved her,
Part moonwalk, and part robotic,
Very dextrous, quite erotic,
(Plus, it aids the circulation.)
This time Ophion’s ovation
Lasted half an hour or more,
“Goddess!” He cried out, “I adore
Your boogie roll, and your foxtrot,
Your salsa’s gloriously hot,
I like your tap, I love your rhumba,
But your last dance, that robot number,
Oh! So perfect, so beguiling!
What flamboyance! What freestyling!
In all the world, there’s none above you.
Eurynome, I think I love you.”
(That penultimate line is true,
Since ‘all the world’ meant just those two,
But let us not be too pedantic,
He’s trying hard to be romantic.)


The goddess was extremely flattered
By the snake’s adoring chatter;
Blushing slightly, but delighted,
Said, “My dear, your love’s requited.
I could never hope to find
Another audience so kind,
And anyway, it seems creation
Rather swings on our relations.”
Then, Eurynome once more
Began to dance. “For my encore,
A dance of physical desire,
Appropriate for my attire.
Ophion, you must dance it too.
It’s only possible with two.”


I cannot give a full report
Of what went on, but I’d have thought
They—no. I shouldn’t speculate.
It’s wrong to. But, alas, too late.
Inside my mind there’s imagery
Of sinuous asymmetry
That might prove difficult to budge.
But really now, I shouldn’t judge.


And so, goddess and serpent mated,
Womb divine was impregnated.
Then, and why I can’t suppose,
Eurynome metamorphosed
Into a dove. Why? Well, good question.
Perhaps this was a new suggestion,
All the rage with mums-to-be
In god-parenting magazines.
Maybe childbirth didn’t appeal,
Brooding seemed a better deal.
(Or maybe it was just her whim.
When pregnant, you can want strange things.)
So, the goddess, thus translated,
Took a deep breath, concentrated,
Pushed and groaned and pushed and wheezed,
And pushed again, until out squeezed
The Universal Egg, so-called,
Because, contained in eggshell walls,
Was all the world of beasts and men,
Arrayed behind the albumen.
The swamps, the mountains, glaciers, fjords,
Savannahs, prairies, pampas, swards,
The coastal shelves and river basins,
Cumulonimbus cloud formations,
Sun, moon, planets, stars and sky,
Uncomfortably side-by-side
And floating in primordial yolk.


Once it was laid, its mum invoked
Her right divine to be obeyed.
She said “Ophion, I have laid
This egg. As far as I’m concerned,
That’s my job done. I think I’ve earned
A rest. Now, honey, I declare
It’s time for you to do your share
Of parenting. It would be sad
If our egg had a deadbeat dad.”
The serpent gave his quick consent,
Too wise to contemplate dissent.
To raise a protest might be fatal,
With the goddess just post-natal.
“Snookums! Sweetheart! Babycakes!
Of course I’ll help! For heaven’s sakes,
Did you believe that I might spurn
Your wishes? Clearly it’s my turn!
What would you like?” The snake asked, nervous,
“Milk? Buttered toast? I’m at your service.”
“Actually,” the goddess said,
My darling, you must hatch the egg.”
“Pardon?” “That’s right. Do as I say
Or you’ll be giant snake pâté.”
Ophion paled. “Yes yes, of course,
No problem, darling.” Thus perforce
Obliged to do so, daddy nursed
The embryonic universe.
He coiled around it sevenfold,
To keep it from becoming cold,
He checked its size and weight each hour,
He never gripped with too much power
Nor not enough; in fact, just right.
He even tucked it in at night.
Eurynome sang lullabies
As all her parent-books advised.
(Their efficaciousness was moot,
But she thought it beyond dispute.)


Then, one day, the eggshell shivered,
(“Look!” The parents shouted), quivered,
(“It’s happening!”) It wobbled, twitched,
And HATCHED – and all things that exist
Came tumbling out. (Ophion hissed,
“Did you bring the camera, honey?”)
Suddenly, the world was sunny,
Day and night-time alternated,
Planetary spheres rotated,
Simmering volcanoes rumbled,
Tumbleweed, correctly, tumbled,
Tapirs, platypuses too,
Did whatever thing they do,
Fields had flowers, which had bees,
The earth was more than endless seas.


The proud progenitors retreated
To a mountaintop; here seated,
They looked on with gaze benign
And intervened, from time to time.
(I heard a rumour that they may be
Planning for another baby.
Eurynome still likes to dance,
So I’d say there’s decent chance.)
And so, prehistory began.
The first (the ‘Golden’) age of man
Had started, full of mad heroics,
Written down by epic poets.
This is backstory, no more.
The real tales to shock and awe
With details of outrageous actions,
Wars between conflicting factions,
Fearless heroes, shocking crimes…
I’ll save them for another time.
Related content
Comments: 52

LazyLinePainterJohn In reply to ??? [2008-08-31 13:42:16 +0000 UTC]

Thank you - could you recommend me some Rushdie?

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winklepickers In reply to LazyLinePainterJohn [2008-08-31 13:58:33 +0000 UTC]

Oh dear... Are you serious?

I'm an oldish person.
I read "Satanic Verses" with glee. I like "Midnight's Children" and one of his first, "Shame", about the bloody founding of Pakistan and Bangla Desh, I think. It is completely wild.
You need to know a little about Islam for the Satanic verses, but the humour is my sort of fun. It's my favourite.
I think that his first books are his best. After the Ayatollah business he wasn't as full of mischief. Well I wouldn't have been in his place either.

I know Vikram Seth through "A Suitable Boy". You say his poems are good. I must see if I can find any.

Louis de Bernières is fun too. Nothing very profound but pleasant reading and it makes you laugh.
You must know all that.

I must add that I haven't the culture to be able to talk about literary matters. I just did a little English and French at Keele back in 1960. It wasn't very glorious.

I like your style.

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LazyLinePainterJohn In reply to winklepickers [2008-09-04 22:58:12 +0000 UTC]

Life is far too important to be taken seriously, I used to say with unbecoming gravitas and a smug semi-smirk, until I discovered that Oscar Wilde had said it first.

Thank you for the recommendations. For Seth's verse, I've only read Beastly Tales (for kids, great) and Golden Gate (novel-length, superb). I'm toying with starting A Suitable Boy.

Your name is Winklepickers. I automatically love *your* style.

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winklepickers In reply to LazyLinePainterJohn [2008-09-05 10:07:58 +0000 UTC]

You seem to have the English humour that Oscar Wilde excelled in... but I don't know you and I'm not a literary critic as I explained.

A Suitable Boy is just the tale of the author's parents.
I liked it, I'm not sure a man would, but I've never been a man!
It has many characters that you have to remember.
They they are members of the family and each has his or her story.

My daughter is a university teacher here in France. She reads reams of English novels. That's how I get to know them a little.

Well Winklepickers has a little story.
I suppose you know that it is the name given to very pointed high heal shoes that were popular in the late 50's.
They were very bad for your feet and pretty vulgar. I didn't have any as I had a bunion. That was a good thing.
They have been popular again very recently. Now, I'm too old, even though I had my bunion removed.

Still the word is amusing and has remained in my memory.

As you know when you join a site they ask for a name. dA rejected almost every one of my own names, even Blodwen.
So in desperation I put Winklepickers as I thought that it would really not be used by anyone else... and it wasn't of course.
Someone told me that at a quick glance she had read Winepicklers.
That's not bad either ... for another life!

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MOJAL [2008-08-03 03:07:18 +0000 UTC]

Why is this not a Daily Deviation?

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LazyLinePainterJohn In reply to MOJAL [2008-08-10 20:02:52 +0000 UTC]

I don't know.

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dulcisolea [2008-08-03 03:06:55 +0000 UTC]

Oh, absolutely wonderful! I love the tongue-in-cheek quality of the whole thing, and the rhymes are so smooth and clever. The lines in parenthesis were neat, an extra pinch of humor. +fave

Thanks for such an entertaining read

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LazyLinePainterJohn In reply to dulcisolea [2008-08-10 20:02:32 +0000 UTC]

Thanks for having a look round and for the comment. I appreciate it and I'm very glad you enjoyed it.

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dark-the-con-of-man [2008-08-02 16:30:51 +0000 UTC]

Ha, I just finished re-reading Metamorphoses and I was in the mood for something like this. Made me grin a few times...great job, I loved it.

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LazyLinePainterJohn In reply to dark-the-con-of-man [2008-08-10 20:01:23 +0000 UTC]

Very glad! I, John, am the antiOvid. Thank you.

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dark-the-con-of-man In reply to LazyLinePainterJohn [2008-08-10 21:27:27 +0000 UTC]

I dunno, I think I might prefer your style. Less dry and more entertaining~

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Robsonnet [2008-01-28 17:14:07 +0000 UTC]

First comment on this piece in nearly a year. You really do need to visit more often.

This is fucking awesome, and I use those words advisedly, remembering that divine copulation is the central image of all good creation myths.

I saw that it was long, thought I'd read just a few stanzas, and couldn't stop, even had to read it all aloud.

Wherever you are, I hope you're still writing.

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LazyLinePainterJohn In reply to Robsonnet [2008-08-10 20:00:57 +0000 UTC]

I'm not, but thanks sincerely anyway. I'll do the rest of the book eventually. Did I ever recommend Vikram Seth's poetry to you?

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Robsonnet In reply to LazyLinePainterJohn [2008-08-12 00:44:02 +0000 UTC]

Yes, if only through the other comments and replies. I'm keeping him/her on the list, right after Whitworth, Merritt, and Cope.

BTW, I shared this one evening (giving you credit, of course) at the local library's open mic poetry night. Had everybody in stitches. I think only one recognized the myth upon which is was based, but everybody loved it.

A parody that is funny even to those not familiar with the original is a bit of an accomplishment, don't you think?

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LazyLinePainterJohn In reply to Robsonnet [2008-08-31 12:22:35 +0000 UTC]

Lawks a daisy, that's wonderful. I'll hoick up my suspenders with pride. Thank you.

- John Whitworth: beardy curmudgeon who combines formal structures with themes that are everyday or mundane or obscene, and yet with the heart of a true romantic whether he likes it or not.

- Stephin Merritt: not really a poet per se. Songwriter and lead singer for the Magnetic Fields (and other bands). "The whores and policemen on their beat say she loves you/The birds, not content to say tweet, say she loves you/The hoi polloi and the elite say she loves you/The virus and the spirochete say she loves you/All other girls are obsolete/Beside the charms of Marguerite."

- Wendy Cope: has a gift for the simple and the direct and the funny. As human a writer as Larkin but with none of Larkin's misanthropy. Introduced me to the joy of triolets.

But read Golden Gate by Vikram Seth first.

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danielzklein [2007-02-20 22:26:53 +0000 UTC]

It's sweetly-flowing and wonderfully well rounded. It has enough craziness (did you bring the camera?) but never forgets to tell that epic world-creation story. Yet another wonderful piece from you.

Could be longer though

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LazyLinePainterJohn In reply to danielzklein [2007-02-25 17:07:26 +0000 UTC]

Thank you, I appreciate this.

Is it intimidatingly long? (Snh snh snh) No, really?

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danielzklein In reply to LazyLinePainterJohn [2007-02-26 10:36:10 +0000 UTC]

Had I paused and checked the length of it before I got down to enjoying it (doesn't this sentence already begin deliciously wrong?) it might have given me pause. It wouldn't have deterred me; I like 'em long. However, I didn't look at the tiny scrollbar button to the right and by the time I realized this was gonna be, like, an epic epic, it was too late--I was already too engrossed to stop.

So in short, nope, it isn't.

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LazyLinePainterJohn In reply to danielzklein [2007-03-29 22:42:13 +0000 UTC]

Belatedly, thanks. I hope this doesn't mean you think I'm a Poet.

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alafar [2007-01-14 13:57:53 +0000 UTC]

I find it more brilliant than I can put into words.

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LazyLinePainterJohn In reply to alafar [2007-01-27 21:23:54 +0000 UTC]

That means better than brilliant - woohoo. Thanks for reading it.

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alafar In reply to LazyLinePainterJohn [2007-02-19 09:42:13 +0000 UTC]

Sure.
Actually, I read it a few times.

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morgantown [2007-01-12 21:28:50 +0000 UTC]

Definitely an epic- the enjambement is really effective (and as for South Utsire- probably my favourite part).

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LazyLinePainterJohn In reply to morgantown [2007-01-27 21:23:24 +0000 UTC]

The enjambment is rather forced on me, but I thank you tremendously. I'm glad you get/like South Utsire, probably my favourite part too. Cheers for taking the time.

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morgantown In reply to LazyLinePainterJohn [2007-01-28 09:35:38 +0000 UTC]

your welcome

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CaptainOscillator [2007-01-09 05:17:25 +0000 UTC]

"And being Goddess of All Things
Was pointless without underlings
To smite or crush or boss about.
How strange – a goddess with no clout."
This made me rofl loud and clear
An epic poem surely, here
amisdt conspicious lack of pun
these couplets rivalled by not one
of any rhymes you placed within
which is something great, for this poem
is win.

👍: 0 ⏩: 1

LazyLinePainterJohn In reply to CaptainOscillator [2007-01-27 21:21:49 +0000 UTC]

That's a brilliant reply, no less so for the fact you wobble at the end and fall off. I'm delighted you liked it, and took the trouble to finish it and comment. Ta.

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CaptainOscillator In reply to LazyLinePainterJohn [2007-02-03 19:15:37 +0000 UTC]

It was even more fun wobbling. *wobbles around on the floor*

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scalpalandblue [2007-01-08 22:13:03 +0000 UTC]

marvelous. as usual..especially the line about snake pate.

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LazyLinePainterJohn In reply to scalpalandblue [2007-01-27 21:20:38 +0000 UTC]

Thank you - I appreciate you taking the time to read it.

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Blythery [2007-01-08 04:36:37 +0000 UTC]

Somehow this reminds of a Dr Zeus story. Wonderfully written and original too!

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Blythery In reply to Blythery [2007-01-08 07:20:14 +0000 UTC]

Well... originally imitated... hehe. I've never read such an entertaining creation myth.

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LazyLinePainterJohn In reply to Blythery [2007-01-08 14:01:14 +0000 UTC]

Why, thank you. I've never written such an entertaining creation myth. I'd press Vikram Seth on you wholeheartedly. And is there any higher praise than being compared to the master of silly rhymes? Ta, ta muchly.

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cza24-9 [2007-01-07 07:07:49 +0000 UTC]

haha delightful, and catering much to my taste

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LazyLinePainterJohn In reply to cza24-9 [2007-01-07 11:53:42 +0000 UTC]

I'm very pleased. Thank you.

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Caliginous-sk [2007-01-07 02:18:15 +0000 UTC]

I dunno, standing ovation? Sure. Clap clap. next?

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LazyLinePainterJohn In reply to Caliginous-sk [2007-01-07 11:55:06 +0000 UTC]

You stood up, to clap twice. And now you're waiting expectantly for something else. Damn your eyes, sir. Thank you, but damn your eyes.

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Caliginous-sk In reply to LazyLinePainterJohn [2007-01-07 23:27:05 +0000 UTC]

My eyes are damned.

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Evanna-Jayme [2007-01-06 20:06:07 +0000 UTC]

this was great! it rhymed and was just... guh, i cant even write a decent comment about it!

this was based on a real story, you say? thats amazing, i loved reading this. Some lines just made me laugh, and some souded so cool. I love how you can think of cool words to rhyme with other words, and they are so obscure! this is awesome, kudos!

(+fave)

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LazyLinePainterJohn In reply to Evanna-Jayme [2007-01-07 00:22:31 +0000 UTC]

Thank you, I'm glad you enjoyed it (and managed to stick with it through the dull bits). Can I ask what made you laugh, or what sounded good? You know, for my records?

Again, thanks. I tip my hat.

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Evanna-Jayme In reply to LazyLinePainterJohn [2007-01-07 03:39:03 +0000 UTC]

of course:

Before the Gordian knot was twisted,
Before such things as knots existed,
Or notions such as ‘time’ advanced,
Eurynome, the goddess, danced. (this was my favorite part, it really makes you want to keep reading)

“Did I do that? Gosh, well I never!
I must be divinely clever,”

Each scale was bigger than your fist,
Each tooth was thicker than your wrist,
Each eye was seven times as great
As Epicurus’ largest plate.

Is that the snake managed to clap
Despite his natural handicap).
Ophion’s adulation moved her,
So she danced what most behooved her,
Part moonwalk, and part robotic,

these lines made me laugh. they're cute, and the line is not compromised at all to make a good rhyme (some people move words around to make thier lines rhyme, and it takes that extra second or so to understand it). There were parts like these that are comical, and very witty! And there were the serious parts that made the poem seem more like an epic poem-- but it was based off of an epic story, so it really added to it even more. The parts that sounded really good were the really immaginative lines, like when you described Ophion (one of the stanzas I quoted). Anything that provided immagry was fantastic; also, parts that just sounded so smart were very neat too.
lol, I love all of your poems! I wish I could write like you can, you are very talented!

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LazyLinePainterJohn In reply to Evanna-Jayme [2007-01-07 11:59:45 +0000 UTC]

Great! Thanks for that. I'm glad you think the line's not compromised. That sort of rhymery gives the rest a bad name. I'm delighted you liked the bits you liked, and I appreciate you taking the time to tell me. You should check out Vikram Seth, and then imitate him. I've written, in my opinion, three good long poems, which are all based directly on another poet's style (Seth, Hecht, and Byron). Why not give it a try yourself? (Or you could wait a while. I didn't start writing till I was 19.)

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Evanna-Jayme In reply to LazyLinePainterJohn [2007-01-07 16:35:56 +0000 UTC]

wow, thank you! i'll have to give it a try.

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LazyLinePainterJohn In reply to Evanna-Jayme [2007-01-08 13:54:07 +0000 UTC]

Do! Let me know how you get on.

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MacDoherty [2007-01-06 20:02:14 +0000 UTC]

This is truly excellent. There's little I can critique advancedly about, except maybe in the tenth paragraph:

"(Or maybe it was just her whim.
When pregnant, you can want strange things.)"

Should these not rhyme? Or is it a half rhyme that requires a divinely Lahndahn accent to work? Or am I mistaken (it's happened before)?

But wonderful.

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LazyLinePainterJohn In reply to MacDoherty [2007-01-07 00:21:12 +0000 UTC]

Whim/things, whim/things... I thought it was just a half rhyme. 250-odd rhymes, can't I have one nearly-one? In fairness, I probably would have made it fit more precisely with more time, but the entire thing was written in less than three days. It'll get an edit soon.

Thank you.

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MacDoherty In reply to LazyLinePainterJohn [2007-01-07 00:26:42 +0000 UTC]

Awww, I'm sorry. It's really very good for the most part (patronising pat on the head).

Nah, I'm joking. What I mean was (patronising Glasgow kiss).

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LazyLinePainterJohn In reply to MacDoherty [2007-01-07 00:45:03 +0000 UTC]

I know. I know you, and what your like.


And YOUR FACE.


Off to read Cacophany (defiant Fukuoka nose-rub).

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LazyLinePainterJohn In reply to LazyLinePainterJohn [2007-01-07 00:46:57 +0000 UTC]

ARGH ARGH ARGH I must be FUCKING tired if I'm leaving out NOT ONLY the 'e' of "you're" but also the fucking APOSTROPHE.

In all truth, I was about to add "face" to "your" but thought I'd save it for a more apposite moment.

Like your face.

That still rankles, though. Badly.

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MacDoherty In reply to LazyLinePainterJohn [2007-01-07 01:09:36 +0000 UTC]

Awww, I was all ready to mock you for that. Damn you, and YOU'RE FACE.

(See? That was satire.)

(No it wasn't.)

(Yes it was.)

Would you like a hug? It'll take three days, with packaging and delivery.

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