HOME | DD

Description

For more information on the entire series, read the "'Demon's Due' Defined" journal entry here faile35.deviantart.com/journal… or the "'Demon's Due' Plus" journal entry here faile35.deviantart.com/journal… .

Previous Page:

Mature Content

Next Page:

********************************************
In suffocating slowness, the jackrat mob pounces. The air around is suddenly full of long, sleek forms flashing pale teeth and claws. Those furthest away from the magical weapon are the fastest. In two quick bounds, they clear the remaining ground and join their fellows in the assault, shoulder to shoulder. “Pav Tilas!” Luther calls, jerking on the reins. The horse’s bit is suddenly released, and the animal rears upward as the first rats move to strike at its sides.

********************************************

I'm not sure of the order yet between this one and the next one. Considering that only a second or two are transpiring, it's difficult to place them sequentially. I may not even use both of them in the end, or perhaps use one of them as a flashback in a sequence that comes after this one. I'll post them both here for now.

This is the 36th page of the second-to-last chapter in the whole story, continuing the last scene in the journey Luther and Callista make to the Martilis Estate (formerly "Mitesceru Estate"). I have the next few pages already finished and ready for posting, so they should go up pretty quickly for the next few weeks. At this point, the two characters have traveled to where the Westfield Road turns North and East toward in the upper left of the map thumbnailed below.

Enjoy!

Note: Chain of Events and Demon's Due are a work of fantasy and fiction. The artist/creator in no way condones this kind of treatment toward any woman or man, by living person, gremlin, plant, assassin, ratman, viscous fluid, programmed device, animated home furnishings, or otherworldly spiritual beings. Furthermore, the artist opposes the marginalizing and restriction of women in general by any institution, political and/or religious, including those which have individual women amongst their membership touting/promoting their own happiness within that institution as evidence that ALL women should feel the same way. This includes the religion I was raised in and which I have utterly discarded from my life over this and other issues.

www.youtube.com/watch?v=0la5DB…

Description

For more information on the entire series, read the "'Demon's Due' Defined" journal entry here faile35.deviantart.com/journal… or the "'Demon's Due' Plus" journal entry here faile35.deviantart.com/journal… .

Previous Page:

Mature Content

Next Page:

********************************************
In suffocating slowness, the jackrat mob pounces. The air around is suddenly full of long, sleek forms flashing pale teeth and claws. Those furthest away from the magical weapon are the fastest. In two quick bounds, they clear the remaining ground and join their fellows in the assault, shoulder to shoulder. “Pav Tilas!” Luther calls, jerking on the reins. The horse’s bit is suddenly released, and the animal rears upward as the first rats move to strike at its sides.

********************************************

I'm not sure of the order yet between this one and the next one. Considering that only a second or two are transpiring, it's difficult to place them sequentially. I may not even use both of them in the end, or perhaps use one of them as a flashback in a sequence that comes after this one. I'll post them both here for now.

This is the 36th page of the second-to-last chapter in the whole story, continuing the last scene in the journey Luther and Callista make to the Martilis Estate (formerly "Mitesceru Estate"). I have the next few pages already finished and ready for posting, so they should go up pretty quickly for the next few weeks. At this point, the two characters have traveled to where the Westfield Road turns North and East toward in the upper left of the map thumbnailed below.

Enjoy!

Note: Chain of Events and Demon's Due are a work of fantasy and fiction. The artist/creator in no way condones this kind of treatment toward any woman or man, by living person, gremlin, plant, assassin, ratman, viscous fluid, programmed device, animated home furnishings, or otherworldly spiritual beings. Furthermore, the artist opposes the marginalizing and restriction of women in general by any institution, political and/or religious, including those which have individual women amongst their membership touting/promoting their own happiness within that institution as evidence that ALL women should feel the same way. This includes the religion I was raised in and which I have utterly discarded from my life over this and other issues.

www.youtube.com/watch?v=0la5DB…